Friday, 11 March 2016
Tota Mulier in Utero - The Woman is a Womb
The site of the project is the female body
as a place. The woman as a place origins in the chora (derived from
the Greek word for both womb and space/place). The chora creates ‘unformed
amorphous origin of all morphology…transmuted by/for analogy into a circus and
a projection screen, a theatre for fantasies.’ (3) The woman’s womb
is the inner frame that contextualises the surface image of the foetus. The
womb is the first ever environment where we originate from, where we take shape
before we even gain consciousness or position within society, culture or state.
The project would like to raise questions
about the womb as a spatiality and whether it represents a negative
space which is at once limitless and claustrophobic, an inescapable but
unknowable point of
origin. Or whether is the ultimate space, ‘the federal reserve cave’? (4)
origin. Or whether is the ultimate space, ‘the federal reserve cave’? (4)
The pregnant female body becomes the site for
the architectural project with
its all physiological, psychological, emotional and material transformations.
(Fig. 1)
The mother can feel constant tumult as the
baby hiccups, flexes her body and tests with elbows, knees and feet the limits
of her inner space. The baby becomes a bulky, impertinent, spirited
presence within the maternal-feminine body, simultaneously an integral part of
her and an independent entity.
The project would like
to expand the limited metaphors used to illustrate pregnancy. The author would
like to find a highly spatial language which would allow the project to evolve
into a tangible quality.
In order to achieve more immaterial,
metaphysical approach to the area of interest the female body as a place would
be observed beyond the pregnancy. The woman as a place, as an envelope
and container and the way the maternal-feminine remains a place
separated from its own place, hence re-envelopes herself within herself twice –
as a woman and as a mother. The female body would be witnessed as
a served place where the man and the woman are able to stay
contained/enveloped. A place which transmits itself from one envelope to
another, modifying itself moment by moment. The woman as a habitat for
both matter and nature. The mother-innkeeper as an environment
and the foetus as its occupant.
Labels:
ADS5,
Architecture,
DOT,
Film,
Royal College of Art,
Thesis Project
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